Tuesday, October 2, 2012
Rajoy faces internal rebellion over austerity
Wednesday, September 12, 2012
Rebellion in Ramallah?
These are updates from the West Bank over the past week. They sound as if taken from the start of the first Palestinian uprising against Israel 25 years ago. But the leader burned in effigy in Hebron was Salam Fayyad, prime minister of the Palestinian Authority. The Palestinian government in Ramallah, rather than Israel, is the direct target of protest. Economic frustration sparked the fury. This sounds like a variation on revolts in other Arab states—except the Palestinian Authority isn't an independent state. Set up as to provide short-term, limited autonomy until a peace agreement, it has become the lasting means by which Israel outsources its rule over Palestinians in occupied territory. Donor countries foot the budget; the PA provides local services. Israel's current government acts as if the arrangement can last forever. The protests show how unstable it really is.
The immediate reason for anger was the PA government's decision to increase fuel prices and the value-added tax on goods and services. The cost of filling a gas tank is, of course, a function of world markets. But in the Palestinian Authority, it's also a result of the price that the Israeli government sets, including Israeli taxes. The 1994 Paris Protocol, which governs economic relations between Israel and the supposedly temporary Palestinian Authority, specifies that gasoline can't be more than 15 percent cheaper in PA territory than in Israel. It also links the level of value-added tax in the PA to the Israeli rate—so when Israel hiked its rate this month, so did Fayyad's government.
The protocol did leave a little wiggle room for smaller increases. But the PA is short on cash. Much of its budget comes from state donors—including the United States and European and Arab countries. The Education Ministry building in Ramallah has a sign saying it was donated by the Kingdom of Norway. If the PA's operating budget were a building, it would also have a donation plaque at the door.
But donors sometimes don't pay pledges, or pay late. As of June, the PA suffered a shortfall of $300 million in donor funds, according to one economic source. More recently, Palestinian Finance Ministry officials reportedly placed the shortfall at $1.2 billion, a quarter of the Authority's annual budget. PA employees—nearly a sixth of the West Bank workforce—can't be sure when they'll get their monthly salary, or how much of it they'll receive. Rumors that Gulf states are holding back funds at Washington's request—in order to pressure Palestinian President Mahmoud Abbas to drop his request for U.N. recognition of Palestinian statehood—are rampant. Actually, says political analyst Mouin Rabbani, the Gulf states have always paid late or not at all, as a result of inter-Arab disputes with the PA. The rumors do, however, testify to the level of America's political credit among Palestinians.
The foreign donations are supposed to lay the foundation for Palestinian independence. Fayyad, an American-trained economist and ex-IMF official, promised in 2009 that he would build a state from the bottom up by 2011. He has made PA finances more transparent, earned Western respect—and angered veteran members of Abbas's Fatah movement. What he can't do is build a self-sustaining economy. The Paris Protocol locks the PA into a customs union with Israel. The West Bank's currency is Israel's shekel. Israel controls the borders, imports and exports. Almost 60 percent of West Bank land is still defined as Area C, under Israeli rather than PA administration. Area C is where there's open space that could be used for industry, but it now serves as a reserve for settlement growth. Instead of building a state, the donors are reducing the cost to Israel of governing the West Bank. Yet when the donors hold up funds, they impoverish people in Bethlehem and Tul Karm.
On Tuesday, Fayyad announced a partial rollback of the tax and price increases and promised to pay some overdue salaries. So far, demonstrations and strikes are continuing. Increasingly, demonstrators demand that the PLO renegotiate the Paris Protocol. But without a political change—meaning independence—there's little chance of altering the economic relationship. No one knows whether the protests will grow or sputter out now only to flare up again later. They could force a change of power in the PA or its collapse or turn more directly against Israel. The outsourced occupation depends on the whims of donors; it produces high prices, hunger, unemployment, and unpaid salaries. Economically, it cannot be sustained.
The subtext of the last week's protests is that the donors are essential to the PA on a day-to-day basis. But in the longer run, Europe and the United States are helping Israel maintain the political stalemate. Rather than just write hurried checks, they should set a condition for both Israeli Prime Minister Benjamin Netanyahu and Abbas: renew negotiations now on a two-state agreement. Europe is busy with its own problems, though, and Washington certainly can't be bothered until November. What Ramallah will look like in November is anyone's guess.
Source http://prospect.org/article/rebellion-ramallah
Monday, July 30, 2012
PiL, Buzzcocks, Rancid To Play Rebellion Punk Festival
Tuesday, July 3, 2012
Rebellion MMA Radio: Rick Hawn, Dhiego Lima, and Adam Lynn
Wednesday, June 13, 2012
A Better Explanation, Please
Tuesday, November 29, 2011
Veteran Director Back With Rebellion Film
“Zhila-Byla Odna Baba,” or “Once Upon a Time There Lived a Woman,” follows a simple peasant woman in the Tambov region in 1920, whose life is turned upside down by the Revolution and the subsequent uprising.
Smirnov, 70, said he had long wanted to make a film about the human effects of the Revolution.
“It was natural for me to look at the topic of the village, the death of the Russian village, the revolutionary era and the Civil War,” Smirnov said at a recent news conference about the release of his much-anticipated film.
The revolt in the film is based on a real insurrection in 1920-21 that was sparked by the forced confiscation of grain by Bolshevik forces. It was one of the most well-known rebellions against the Soviets and was cruelly crushed. Thousands died in the conflict, and chemical weapons were used at one point by the Bolsheviks, the first time a state ever used such weapons against its own people.
Smirnov focuses his plot on the story of Varvara, played by the young actress Darya Yеkamasova, who survives rape and the death of loved ones.
“The story is shown through the eyes of a simple woman who doesn’t understand who is Red and who is Green, but who like every woman gives undying support to her family and children,” Smirnov said.
Critics have seen Varvara as a symbol for Russia itself.
“I wanted the viewer not only to cry or to laugh, but to think about the fate of Russia,” Smirnov said.
Rock singer and public activist Yury Shevchuk also stars as member of the peasant army.
Smirnov is most famous for his 1971 film “Belorussky Vokzal,” or “Belorussky Station,” a touching drama about several World War II veterans meeting for a reunion after many years of not seeing one another.
He directed only two more films after that hit, turning to acting and screenwriting for the last three decades. He most recently played one of the leading roles in Andrei Zvyagintsev’s art-house hit “Elena.”
Smirnov said in an interview with Afisha magazine that he gave up directing because of problems with censorship.
The film has had mixed reviews, with some comparing the director’s offering to Nikita Mikhalkov’s much-criticized sequels to the Oscar-winning “Burnt by the Sun.”
Kommersant film critic Mikhail Trofimenkov said the film showed that Smirnov had lost none of his directing skill, but called the film artificial propaganda against communism.
Like Mikhalkov’s films, “Zhila-Byla Odna Baba” received lavish state backing and support by state-friendly businessmen. Billionaire Viktor Vekselberg and the Kremlin’s chief ideologist Vladislav Surkov both backed the film, Smirnov said, and bizarrely, the names of Defense Minister Anatoly Serdyukov, Rusnano head Anatoly Chubais and Russian Railways chief Vladimir Yakima are all thanked in the film’s credits.
So far the film, which cost more than $6 million to make, looks unlikely to turn a profit with less than $500,000 worth of tickets sold since it debuted earlier this month.
Source http://www.themoscowtimes.com/arts_n_ideas/article/veteran-director-back-with-rebellion-film/448924.html
Monday, October 3, 2011
NYC Sports Bar Boxers Comes Out Swinging In Fight To Open Second Location
There are probably more bars and restaurants in New York City than anywhere else in the world but with gentrification spreading across the city, its getting harder and harder for business owners to hang a shingle in the Big Apple.
Boxers NYC is a highly popular gay sports bar in Chelsea that’s become a favorite of sports fans, LGBT athletic teams, Kathy Griffin (who guest-bartendered there once) and even The A List: New York (which has filmed there). So its not surprising the owners decided to open a second location in New York’s other gay ghetto, Hell’s Kitchen. They received provisional approval from Community Board 4, but grumpy residents worry it’ll disturb their tranquility and that the proposed location is too close to P.S. 111 on West 53rd Street. (New York zoning laws forbid bars from being within 200 feet of a school.)
Boxers co-owners Bob Fluet and Rob Hynds have tried to appease residents, but the situation has turned into a long-running saga, even by New York standards. Fluet and Hynds current proposal is to split the building into two businesses, a full-service bar and a no-alcohol taco shop on the side closer to P.S. 111. They’ve also discussed opening the bar at 4pm, after schoolchildren have gone home.
“Should it be a night club? As a gay parent of two, I would never want a nightclub there. Could it be a tavern that sells food? Yes, in my opinion I think that’s fair, Fluet told local news channel NY1. “Other than that, there may be nothing but having a derelict building for three, four years. Is that good for the neighborhood?”
Hynd’s and Fluet’s plans aren’t good enough for P.S. 111 principal Irma Medina, though: She e-mailed parents warning them that if the bar opened as planned, it would have scandalous underwear-only nights (something Fluet denies) and that the bar was “inappropriate for school-age children to be exposed to during the day while they are in a learning environment.”
Hey, this is New York City: We’re pretty sure these kids have seen worse than a few gay sports fans drinking beer.
The Community Board will make its final vote on October 5.